Kistler, who originally hails from Minneapolis, began his photography journey at the age of 18 when he was faced with unfamiliar surroundings in Europe. Armed with a compact Ricoh film camera, he embarked on a series of travels before eventually settling in Tokyo where he started a family and spent a decade exploring and honing his unique style of abstract photography that captures movement. In 2014, Kistler relocated with his family to Hong Kong, where he continued to pursue his passion for street photography. He currently resides in Singapore.

Kistler's talent as a street photographer is evident in the way he captures the essence of urban life. His work is characterized by a unique blend of abstraction and realism, which he achieves by using a combination of long exposures, camera movement techniques or in-camera double exposures. This allows him to create images that are simultaneously blurred and sharp, capturing both the motion and stillness of the city.

Kistler's photographs are not just aesthetically pleasing; they also tell a story. Each image is a snapshot of a moment in time, a glimpse into the lives of the people who inhabit the bustling streets of Hong Kong. Through his work, Kistler has created a unique visual language that is at once poetic and gritty, intimate and universal. His photographs invite us to see the world through his eyes, to appreciate the beauty and complexity of the urban landscape, and to recognize the humanity that binds us all.

It is no surprise that Kistler has gained a reputation as one of the most talented street photographers in Hong Kong. His work has been exhibited widely both in Hong Kong and around the world including, New York, Astoria, Minneapolis, London, Dublin, and Porto. Kistler's passion for street photography is evident in his regular workshops, where he shares his knowledge and expertise with aspiring photographers. His ability to teach and inspire others is a testament to his deep understanding of the craft and his commitment to the art form.

生於明尼阿波利斯的Kistler，十八歲初訪歐洲，透過用一部Ricoh菲林相機拍攝，助他應對新環境。多年的周遊列國後，他決定於東京定居，並在當地成家立室。身處日本的十年間，他逐漸建立起自己的抽象主義風格。二零一四年，他與家人移居香港，在這裏延續他對攝影的熱誠。

除了是次由Blue Lotus Gallery舉辦的個人展覽外，Kistler的作品曾多次於香港、東京、紐約、阿斯托里亞、明尼阿波利斯、倫敦、都柏林和波爾圖廣泛展出。他亦經常在香港和外地舉辦街頭攝影工作坊，分享拍攝心得。

About BLINK852, a solo exhibition at Blue Lotus Gallery (November 2020)

In cities, there are countless unnoticed moments of unexpected beauty that occur in the blink of an eye, existing briefly but then gone forever. The medium of street photography exists to both capture and play with these fleeting fractions of seconds where the drama of everyday life plays out and blends with the complex web of the human metropolis.

With over half the world's population living in urban areas, a figure constantly growing, combined with the exploding accessibility to smartphone cameras, it is no wonder Street Photography is one of the most popular genres of photography today. However, achieving success within the art form is extremely challenging.

A street photographer is both an observer and a hunter, seeking out these elusive moments like trophies. It requires patience to capture these moments, and compiling a cohesive body of work excelling with a unique style and vision often takes a lifetime.

While Street Photography has long been associated with black and white images, such as those shot by Cartier-Bresson, Winogrand, Moriyama and Fan Ho, Kistler prefers shooting Hong Kong in color. A city so intense and highly saturated with its dazzling lights, alongside bright ads and racing traffic, it flashes intense colors at its inhabitants relentlessly. Kistler’s favorite subjects include a textured blend of street art and architecture with the blurred movement of Hong Kong's iconic taxis, buses, trams, and the day-to-day hustle of people.

In addition to the chaos, Hong Kong is famous for its shiny and reflective skyscrapers, and Kistler seeks out these mirrored reflections in glass and puddles. Layers play an important role in his work, and if not naturally present on the street, he frequently opts to create in-camera double exposures to realize his vision. This kaleidoscopic effect echoes the experience of moving around the metropolis while being bombarded by noise, motion, and reflected light. It is worth noting that Kistler uses no photoshop or digital manipulation in his images- everything is done in-camera with minor edits in post-processing.

BLINK 852, Kistler's project, deliberately hints at the DIY punk attitude of ignoring rules and always experimenting with the medium without being too pretentious. Learning by doing is one of Kistler's philosophies, which he shares in his many photography workshops. You may see him walking around town with his skateboard and camera in tow, as he encourages his students to notice all the small things.

Street photography is a celebration of the beauty found in the mundane moments of everyday life. It is a way of seeing the world through a unique lens and capturing the essence of our urban landscapes. Kistler's work, with its vibrant colors, layered compositions, and unique perspectives, offers a fresh take on the genre and reminds us to appreciate the beauty that surrounds us every day.

繁華鬧市中，埋藏著無數毫不起眼卻意外地美麗的瞬間，它們僅存於眨眼一殺那……隨之永遠消失。街頭攝影正正能將這些一瞬即逝的時刻收納起來，記錄大都市的複雜網絡下，日常間最精彩的每分每秒。超過一半的世界人口在市區成長和生活，加上隨著手機攝影功能的迅速普及化，難怪街頭攝影乃當今最受歡迎的攝影類型之一。但是，要在街頭攝影超群出眾絕非易事。

街頭攝影師既是觀察者又是獵人，他們總抱著耐性，鍥而不捨地追索飛逝的畫面。他們需花上一輩子的時間，建立具連貫性的作品，以獨特的個人風格及視野突圍而出。

一直以來，街頭攝影與黑白照有著密不可分的關係，Cartier-Bresson、Winogrand、Moriyama和何藩的作品便是例子，但Michael Kistler更鐘情於捕捉色彩斑斕的香港。一座人口密度甚高的城市，滿佈令人眼花撩亂的燈光，配上鮮豔奪目的廣告牌和交通，將五光十色投向城市人身上。最令Kistler著迷的主題包括壁畫，具地標性的巴士、的士、電車的動態，以及來回又折返的人群。

除了光譜造成的混亂，香港也以反光的高樓大廈而聞名，Kistler擅長從玻璃和水坑中找出它們的映照。層次感是Kistler作品中不可或缺的一角，即使在眼前的大街上看不見，他也會透過相機的雙重曝光功能呈現此效果。萬花筒般的景像如同將我們置身於大都市中，其聲響、動感和光影反照皆衝擊著我們的感官。值得一提的是，Kistler從不用Photoshop等軟件作大型的後期編輯，一切皆在相機內操作，再受輕微的後期調整。

BLINK 852 特意帶出無視規矩的朋克文化態度，希望大家能在攝影的過程中毫不造作、放膽探索。邊做邊學是Kistler經常與學生分享的宗旨，你或可能遇過他掛上相機、踏著滑板帶領他們在街上遊走的情景。這就是觀察「一切小事」的練習。